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Jan Köchermann has been dealing with the shaft as a sculptural element since 1996, in recent years producing a variety of large installations in public space. He stages rifts in reality and plays with the ways viewers conventionally experience them, leading to new, unexpected spaces or spatial situations: whether it be the third-floor gallery on Admiralitätstrasse flooded with water and with a floating high-rise building, or the reproduction of a twenty-six-meter-long bicycle tunnel, at the end of which is a sign that suggests to the viewer that he is actually on the Aussenalster in Hamburg and not in the art capital of Düsseldorf. This monograph embraces Köchermann s entire oeuvre. Besides the large installations, it also examines his light sculptures, model-like interiors with film projections, and his puzzling spatial productions.